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Writer's pictureMal McCallion

Parky's Posthumous Patter

Updated: 1 day ago



Michael Parkinson, the legendary British chat show host, is set to make an unexpected return to our airwaves - albeit in AI form. This intriguing development offers a glimpse into the future of entertainment and raises thought-provoking questions about the intersection of technology, legacy, and ethics.


For those unfamiliar with Parkinson, he was the quintessential British interviewer from the late 1960s through to the early 2000s. His gentle Yorkshire accent and affable manner coaxed revelations from even the most reticent of guests, making his eponymous show a staple of British television for decades.


Now, just over a year after his passing, Parkinson's distinctive voice and interviewing style are being resurrected through artificial intelligence. His son, as the custodian of Parkinson's estate, has licensed his father's voice to an AI company, Deep Fusion Films. The aim is to create a virtual Parkinson capable of conducting interviews in the late broadcaster's inimitable style.


This AI-powered Parkinson is reportedly seeking real-life celebrities to interview, with the resulting conversations to be released as a new podcast series. It's a bold attempt to breathe new life into a beloved cultural figure and format, but it's not without its controversies.


For many, particularly those who grew up watching Parkinson, this AI resurrection might feel uncomfortable or even disrespectful. There's a natural squeamishness about using technology to mimic the dead, especially for those who hold fond memories of the original.


 

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However, this development is likely just the tip of the iceberg. We've already seen glimpses of this future in cinema, with digitally de-aged actors and even completely reconstructed performances from deceased stars. The Star Wars franchise, for instance, has featured both a digitally recreated Peter Cushing as Grand Moff Tarkin and a de-aged Carrie Fisher as Princess Leia.


As AI technology continues to advance, we can expect to see more instances of long-dead personalities being brought back to 'life' in various media. This could extend beyond screens to holograms or even robotic avatars, allowing these figures to re-enter our world in increasingly tangible ways.


The Parkinson AI project raises fascinating questions about the nature of identity, the ownership of one's visual and auditory likeness after death, and the ethical implications of such technology. Who has the right to resurrect a person's digital persona? How accurately can an AI capture the nuances of a human personality? And how will audiences react to these digital doppelgangers?


Perhaps most intriguingly, who will agree to be interviewed by this AI Parkinson? The willingness of celebrities to engage with this virtual host will be a telling indicator of how society at large might come to view and interact with AI-recreated personalities.


As we stand on the cusp of this new era, it's clear that the lines between past and present, real and artificial, are becoming increasingly blurred. The return of 'Parky' may be just the beginning of a new chapter in entertainment and human-AI interaction. Whether this development is viewed as a fascinating technological achievement or an unsettling glimpse into a digital afterlife will likely depend on the viewer's perspective.


One thing is certain: as AI continues to evolve, we'll need to grapple with these questions and their implications for our understanding of identity, memory, and the very nature of what it means to be human in an increasingly digital world.

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